Lyric Winners
1st
Maralinga morning when the sand turned gold No late whispered warning when the world grew old Maralinga morning, Maralinga dawn No late whispered warning when the new suns were born
Hunters gathered there where the game began Where the parrots flew, where the lizards ran, Where the dawn chased stars, where the seasons turned, Where new suns where born when the land was burned
Maralinga nightfall when the sand turned black Only private death-calls, Dreamtime down the track Maralinga nightfall, Maralinga night Only private death calls with the fading light
Children wandered there where the darkness grew, Where the moonlight bled, where the fallout blew Where the womens cries carried time away Like the ash-grey dust on the wind that day
Maralinga morning, now the deserts clean Only cautious land-rights where the dust has been, Maralinga morning, Maralinga dawn Bureaucratic bargain since the new suns were born
Kangaroos crouch there where wild flowers grow Where the tourists pause, where the hot winds blow Where the birds fly high, where the sand flows free, Where new fungi bloom like the mushroom tree
Maralinga days when the world grew old.
© Jan Turner-Jones
2nd
By the field a mud-brown river snakes its way along See a small bent figure as he cuts with arms so strong Images of other worlds flash by in a murmered song And all the time hes cuttin… Cuttin cane
Overhead the suns a fire and the glares so hard and bright But little rest for the man till he beds down late tonight Old eyes fix on the ceiling and then he shuts out the light And even in dreams he's cuttin… Cuttin cane
(Chorus) Heavy trucks are rollin down the highway He stops to watch and feels a drop of rain He dreams of other days as the trucks vanish ‘round the bend Of cutting bark and making colours flow again Instead of always cuttin… Always, always cuttin… Always, always cuttin… Cuttin cane
(Solo) Black hand holds the blade, stained red by Mother Earth Once it painted native culture in his place of birth “Long ago, he tells himself, “and what is culture worth”? When it seems hes always cuttin… Always, always cuttin… Seems hes always cuttin… Cuttin cane
(Bridge) A heart that lies on the open plain Not in these fields so green From endless miles to endless pain He thinks of things that might have been But bends his back to cuttin Cuttin cane
Pretty soon hell hitch up north to work another property Idle dreams and the open road are his only company His eyes look to the west, further than the eyes can see But hell wind up cuttin… Always, always cuttin… Always, always cuttin… Cuttin cane
© Tony McCall
3rd
Smoke is risin So much: so strange Turns the sky grey.
Smoke is risin At the other mob's land So strange: so dark Can't understand
(Chorus) Our mob's movin out To see what's at play Walkin the distance Down Tomato Creek way.
Smoke is risin Along whitey's run. So dark: so wrong. Blocks out the sun.
(Chorus) Our mob's movin out To see whats at play Walkin the distance Down Tomato Creek way.
(Bridge) Shot in cold blood; Lost in the flame; Treated like rats In a white fellas game. Flames run fast All through the day, Blackenin Spinifex Down Tomato Creek way
Smoke is risin Gunfiren bloodshed. So wrong: so evil. They're burning our dead.
(Chorus) Our mob's movin out To see whats at play Walkin the distance Down Tomato Creek way.
© Julie Tawse
1st
Tell me now when you look into my eyes Do you see the signs of a life hard lived? Do you see the pain behind the lines That mark where I have smiled?
My father fought in the dust and the mud And he died a long way from home. But his name don’t appear on the memorial here Because his skin was not as white as his bones.
So the only thing I ask of you Is that you don’t judge me hard, you judge me true. ‘Cause I have lived my life all at sea In a land that wouldn’t own me.
My mother lived in a far flung town Where the cotton spray now veils the streets. And she kept a loving eye on us as we grew But she couldn’t stop them from taking us away.
So the only thing I ask of you Is that you don’t judge me hard, you judge me true. ‘Cause I have lived my life all at sea In a land that wouldn’t own me.
Oh I have watched as the rivers slowly die Seen the scrub go under the plough. And as the dust clouds blow the land’s soul away I’ve learned to close my heart.
So the only thing I ask of you Is that you don’t judge me hard, you judge me true. ‘Cause I have lived my life all at sea In a land that wouldn’t own me.
© Anthony English
2nd
He sailed from Plymouth Harbour as the First World War began His mighty ship endurance and twenty-six brave men To cross the frozen continent by foot and then return The greatest of survivors in that icy southern land Was Shackleton
As they docked at Buenos Aires a young man stowed away In search of rich adventure but what a price he’d pay To travel to Antarctica this ship would not return The only grace in that cold place a man they called the Boss Was Shackleton
From the island of South Georgia to the pack ice of the flow A thousand miles of fighting with a hundred left to go When ice entrapped endurance and held her in its arms Its tight embrace began a race to test the very crew Of Shackleton
(Chorus) I heard the story years ago and with the passing of the years I know I've never heard it told an epic quite as bold To survive a frozen hell and tell the tale.
Entombed the pack ice drifted for a thousand miles alone Till it crushed her like an eggshell and sank her like a stone So they camped with steely patience till they heard the thaw begin Wrote Shackleton
Then they dragged the tiny lifeboats each weighed about a ton Across the frozen wasteland till the waters edge was won And they headed north in raging seas and bailed all day and night And struck a course for seven days and prayed their bearings right Oh Shackleton
And through the icy blackness as the gale grasped at their sails They were stalked in silent terror by a pack of killer whales Till they struck a stony outcrop, a tiny speck of land On the beach were ice and boulders in the place of golden sand Stood Shackleton
(Chorus) But he knew no one would visit in this god-forsaken place So he prepared the largest lifeboat for another deadly race Eight hundred miles in winter storms the Southern Ocean's hell He chose his band of five brave hands and they would do it well For Shackleton
McNish and Johnny Vincent a fishing trawler's mate And a Kiwi called Frank Worsley his job to navigate Tom Crean a hardened Irishman who’d sailed before with Scott The fifth was Tom McCarthy a lad who shamed the lot Save Shackleton
(Chorus) At last they struck South Georgia but her mountains blocked their way So Crean and Worsley and the Boss once more unto the fray Three days they climbed until at last they heard a whistle sound The whaling station just below and those once lost were found By Shackleton
Two years had passed, the war raged on and no one came to cheer The story of survival or the men that gathered there But those who knew the journey and saw the race he ran They stood there all together and cheered him to a man Their Shackleton.
© Angus Gibson
3rd
You were the froth on my cappuccino bubbly, light and white exotic supreme
flat one moment, solid the next your transient form had me perplexed
you’d frequently waver but had plenty of pluck unafraid to storm in my proverbial cup
snowy peaks on my bitter brew sugar? yes – I take two you stirred me like none other could do
you poured out your soul you had recommendations several ticks from the heart foundation
you stayed on the surface you kept things level almost an angel, not quite a devil
the realisation when it came at last that in truth you lack substance I knew there could be no last chance
now that you’ve gone, I’ve seen the light next time I’ll order A flat white
© Kristy Hillery
1st
A Big Wig corporate heavyweight goes dashing through the foyer He trips upon a brief case of his very well paid lawyer As the ruthless teeth of gravity bite calmly on his sole The cleaner stands firmly, feels conversely; in control The courier is happy having made his last delivery The goldfish and the salesman feel predictable and shivery Yet even they are jolted from their semi-painted stare As the Big Wig corporate heavyweight goes flying through the air
There's no time for the fireman to get to his trampoline So he hides behind a pot plant hoping not to cause a scene Now the paranoid receptionists is on her mobile phone Telling all her close associates in panic stricken tones That currently, her boss is falling quickly to the floor Not suprisingly, she's worried her job will be no more The pigeons overhear her on the building's marble summit The breeze conveys their whisper and the shares of Big Wig plummet
It triggers off a landslide in the land of buy or sell Investors wait on window ledges thinking 'What the hell' Pavement sweepers grab their hats anticipating rain The gutter rat is unconcerned and crawls off down the drain But through a duct of air conditioning connected to that foyer It hears the screams of loved ones and it smells the paranoia So it scurries to an air vent just to witness what will be On his back, another spectator - his friend, the common flea
The Big Wig corporate heavyweight is bracing for a splat But just before his landing, he makes contact with the rat Their eyes lock for a second - nothing else is intervening For the first time in their hurried lives, they understand its meaning A breakthrough soon forgotten in the peril of his sprawl Impact fast approaches but a beggar breaks his fall When he rises from the tangled gasp with just a bleeding ear Religious workers cross themselves and ceiling-painters cheer
As police inspectors rope the site and journos ask for clearance The Big Wig seems familiar with the beggar's sad appearance When told that he's the office clerk that Big Wig sacked last week The huge contingent hushes to allow them both to speak Microphones are thrust at them while TV cameras roll Like family dogs, we eat it up then madly lick the bowl The Big Wig asks his savior's name- he answers Max McGregor And humankind expects that he will reinstate the beggar But he bends to pick up the briefcase up that tripped him in the foyer He hands the tramp a dollar and instead, he sacks his lawyer
© Jason McCall
2nd
That same old humble lady Still sits by the door down the stair Her face has many more lines these days Framed by her wispy grey hair And I wonder if she really knows How much her world has touched mine More likely she sees her lonely life As a journey of wasted time
(Chorus) But that's not right You were always there when I needed a hand to hold You gave me the gifts of comfort When the rest of the world seemed so cold You taught me life When nobody else had a moment to spare So Mrs Brown I want to thankyou For taking the time to care
Her eyes take top priority As she sits by the door down the stair She cleans her glasses on her Tuesday apron Then slips the clips from the side from the side of her hair Hello dear she calls out to me Looks like we might be in for some rain And though she smiles again with her gentle smile I see it masking lonely pain
(Chorus)
What can I do to help you I want to blow your sadness away I wish I could search and find the words I know you'd like to hear me say
Mrs Brown its not quite half past eight And as long as I leave by nine I won't get into the office too late And I'm sorry to take up your time But I need you to put the kettle on And set a place for me You see I need some more of your wisdom To help me save my dignity
(Chorus - first line: 'Cause it's not right)
And for a while her face looked younger And her pain had disappeared I smiled knowingly I had helped her By lending a friendly ear I'd only given back what she'd given me So many, many times Mrs Brown I want to thank you For letting me share your life
You taught me life When nobody else Could ever find a moment to spare So Mrs Brown I want to thank you For taking the time to care
© Catherine Bell Fallico
3rd
We met through a mutual friend And we confirmed our mutual political favour When it came to evening's end We programmed each other's phones with a daytime number Neither of us called for four days When we did both of us pretended like it really didn't matter Then we agreed that we should have a drink to see If there were feelings to explore under all the idle chatter We sat in a non-smoking section of the pub And we spaced our drinks with softies and water Checked that we were free of all social diseases And neither of us had a little son or a daughter Did a quick check on the X's Make sure they were all buried in the past and not the closet It seemed that the terms were agreeable So we signed for a one month trial because
It's a PC 2001 new millennium romantic arrangement If you wanna be with someone this is how it's done
Second date, we went to an out door film With a bottle of wine and a plate of cheeses I remarked on the cinematography And she compared the story to the plight of Jesus Nobody mentioned the bare breast action Or the characters shaggin' like minx in reason We went for coffee but we both had tea And we talked about the human capacity for reason She drove her car and I drove mine So we said goodnight in the car park freezing I gave her a little kiss on the corner of her lips It was dry and simple and most appropriately pleasing We set it up for Saturday to meet my friends And I have to say that it's the part that I'd been fearing But we had a very civilised picnic So I got big ticks - we were "all clear" and we're in a
PC 2001 new millennium romantic arrangement If you wanna be with someone this is how it's done
We told other people we were seeing each other Said girl/boy friend but not quite partner I didn't call her the ball and chain And she never called me her other half We bought each other gifts for under 50 bucks And I always cleaned the toilet before she came over When we went to dinner we always went dutch And if we went with the parents, we always stayed sober Hit twelve months and we had to make decisions So we went to IKEA and moved in together Found all the habits that we never knew existed But we still bought a cat like this was forever Saw so many weddings that we wanted one too So we got a lot of money and we bought ouselves a better one Gave friends a gift list coz that's whatcha do It was the party of the year and we'll be paying it off forever
It's a PC 2001 new millennium romantic arrangement If you wanna be with someone this is how it's done
The sex dropped off halfway through the honeymoon But we still had a little baby called Blythe Bought the best pram and clothes that the money could The nursery was painted gender non-specific white We sent our child to the best of schools Only six years old, dressed like a bank manager Two nights a week we went out dancing It was her turn Tuesday, I went Saturday We took separate holidays and both had affairs And we mostly talked by text and email Soon I was sleeping on the couch downstairs I guess you could say that the love train derailed All of our friends were getting divorced And the messier it was the better conversation centrepiece We were not to be out done of course So now Blythe's on a roster and the cat's in therapy One day we'll get married again And we'll smile and say it is forever like the first time Then I'll go to men's groups, she'll read SARk And we might become enlightened vegetarians for a short time Mostly we'll be miserable pretending that we're not And we'll miserable pretending that we're not And we'll think good superannuation is the answer It's sadly inevitable that everything we got Was not exactly what we wanted but exactly what we asked for
It's a PC 2001 new millennium romantic arrangement If you wanna be with someone this is how it's done
© Andrew Horabin
1st
I've been reading this book about manhood And it says a lot of things about boys Pages and pages on the sorrows of parenting Not so much about the joys
If my girl got a bun in the oven I'd be outta there, gone like a shot If you gave me the choice to be the father of boys I can tell ya that I'd really father not.
Father not if you're not gonna promise that you'll love em Even if they turn into fags Father not if you're only gonna tell em that all women are Bitches or sluts or slags
Father not if you want them to box If you're gonna hang your head when they wet their bed Because they're terrors and they're baddies And they get it from their daddies I can tell you that I'd really father not
Well, listen to a true life story I had a mate who knew a bloke who had a kid He said, dear son don't do what I've done But he copied every bloody thing he did
Pretty soon he was a carbon copy The language, the baggage, the lot Do I want to see a little copy of me? I can tell ya that I'd really father not
Father not if you're only gonna stop with the huggin when They get a little pubic hair Father not if you're only gonna teach em that emotion Is the very last thing you share
Father not if you just can't watch If they have a little cry when the hero dies Because they're terrors and they're baddies And they get it from their daddies I can tell you that I'd really father not
(Instrumental Solo)
Father not if our idea of bonding is to get 'em Paralytic in a topless bar Father not if they're legends if they're good with a footy And pathetic if they can't fix cars
Father not if they've gotta pick a job Where they use their hands and they're not allowed to dance Because they're terrors and they're baddies And they get it from their daddies I can tell you that I'd really father not
Because they're silent or they're violent And they're prone to suicide Yeah, I can tell you that I'd really father not
Because they're terrors and they're baddies And they get it from their daddies I can tell you that I'd really father not.
© Andrew Horabin
2nd
When we started there were many Guarding Queen and King Now our fortune fails us Each move another sting
Goodbye to brave bishops And to knights already gone, So I'm just a pawn in love But she knows I'll soldier on.
Castled were her chances She did not get away, And now I'm fighting for my Queen With every move I play
Alone and unprotected My worst fear then came true, A knight appeared from nowhere As in love they often do
Checkmate I can do it There always is the chance Driven by my reasons With a longing for romance.
I know they're out to get me Before I reach the end And they know that if I make it It's for her that I will send
If her freedom's over Then mine surely will be too But I will lose still trying If it's the last thing that I do.
© Ruth Arthur
3rd
Hands curled and cracked From a labouring life Face of old leather But eyes blue and bright A taste for the whiskey To temper the pain From a lifetime of toil And the scars that remain
And he'd paint me a picture Through his eyes I could see The barbed wire and trenches Or the bush, wild and free And he told many tales of when he was young told the pain the the memories of a war still not won.
A bushman, a horseman He walked tall with pride And the stories he told me Brought old memories alive The wide that he'd buried The land that he loved The tales told it clearly But memories weren't enough
And he'd paint me a picture Through his words I could see The story-teller lives In the tales he gave to me.
© Helen Pollock
1st
She was working at the market selling flow'rs and little trinkets Where the mountains meet the sky. She would look out from the ranges, and she'd whisper to a passing cloud "I love him."
And the mountain heard. Then the wind became a sigh and cloud began to cry And her song was heard in ev'ry drop of rain;
That until the season changes She will wait up on the ranges In Kuranda
He was working at the skyrail selling tickets to the tourists Where the mountains meet the cane. And he heard the cable humming as it turned around the drum and said "I love her."
And the mountains heard. Then the cable heard his song and it carried it along While the cable cars kept time to his refrain;That until the season changes She would wait up on the ranges In Kuranda
Slow the seasons turn, while young lovers yearn, And he couldn't wait to see his love again. Though the mountain road was closed, he would take the old bush road To Kuranda.
But he never heard how the mountain stirred, And you can't ignore the warning of the rain; For the torrent was a flood that destroyed the old bush road And then (fx: cry of loss/vocal or pedal steel)
You'll still find her at the market, selling flow'rs and little trinkets Where the mountains meet the sky. She will look out from the ranges and she'll whisper to a passing cloud, And the mountain hears.
Then a beam of golden light makes the mountain top seem bright, And its glory lends a softness to her pain;
So until the season changes She will wait up on the ranges In Kuranda.
Yes until the season changes, She will wait up on the ranges In Kuranda.
© Kathleen V. McLennan |